03 February 2017 - Choral Evensong

Recorded on
Friday, 3 February 2017

Byrd's Fauxbourdons and Sheppard's The Lord's Prayer feature in this week's webcast of Choral Evensong.

William Byrd (c. 1540 - 1623) was one of the most prolific English composers of the sixteenth and early seventeenth centuries. Under the reign of Queen Elizabeth I, both he and Thomas Tallis (c. 1505 - 1585) were granted a 21-year patent for the printing of their music. He was made Master of the Choristers at Lincoln Cathedral at the age of eighteen but his time there was somewhat tumultuous, with records of him being disciplined for overzealous use of the organ during worship, as well as records relating to the withholding of his salary. Despite these apparent faults, when he departed Lincoln for the role of Gentleman of the Chapel Royal in 1572, the Dean and Chapter of Lincoln Cathedral made a grant a year later which would offer Byrd a stipend on the condition that any new sacred music composition would have a copy sent to Lincoln.

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July 2024

Continuing their Magnificat series, and the last album of Andrew Nethsingha’s tenure as director, The Choir of St John’s College Cambridge present Magnificat 4 with works from composers including Judith Weir, Jonathan Dove, Joanna Forbes L’Estrange and Charles Villiers Stanford.

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Magnificat 4 includes two commissions written specially for the Choir of St John's College; Jonathan Dove's 2022 canticle setting St John's Service, and Judith Weir's 2011 service of the same name.

Winner of the 2008 Ivor Novello Award for classical music, Jonathan Dove CBE has composed a broad range of works and is one of the most successful British composers today. 

Jonathan was kind enough to share insights into his St John's Service, the compositional process, and what we can look forward to in the future.

The commitment, projection and natural energy of this choir have never failed to inspire me

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