07 May 2017 - Choral Evensong

Recorded on
Sunday, 7 May 2017

This week's webcast of Choral Evensong features Herbert Howells' iconic Collegium Regale setting of the evening canticles, and John Taverner's Dum transisset Sabbatum.

Herbert Howells (1892 - 1983) started his Collegium Regale with a setting of the Te Deum in 1944, which laid down a template in sound which proved irresistible to Cathedral organists across the country seeking to commission him. His evening canticles follow Howells’s stated feelings to the letter: ‘… if I made a setting of the Magnificat, the mighty should be put down from their seat without a brute force which would deny this canticle’s feminine association. Equally, that in the Nunc dimittis, the tenor’s domination should characterize the gentle Simeon. Only the Gloria should raise its voice.' Of all the pieces in the Anglican choral repertoire, especially from the twentieth century, Howells' Collegium Regale is arguably the most recognisable.

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July 2024

Continuing their Magnificat series, and the last album of Andrew Nethsingha’s tenure as director, The Choir of St John’s College Cambridge present Magnificat 4 with works from composers including Judith Weir, Jonathan Dove, Joanna Forbes L’Estrange and Charles Villiers Stanford.

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Magnificat 4 includes two commissions written specially for the Choir of St John's College; Jonathan Dove's 2022 canticle setting St John's Service, and Judith Weir's 2011 service of the same name.

Winner of the 2008 Ivor Novello Award for classical music, Jonathan Dove CBE has composed a broad range of works and is one of the most successful British composers today. 

Jonathan was kind enough to share insights into his St John's Service, the compositional process, and what we can look forward to in the future.

The commitment, projection and natural energy of this choir have never failed to inspire me

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