KYRIE

KYRIE
Director of Music: 
Andrew Nethsingha
Organ Scholar: 
Joseph WicksGlen Dempsey
Release date: 
September 2017
Featuring: 
  • Anne Denholm (Harp)
Record label: 
St John's Cambridge/Signum
Catalogue number: 
SIGCD489

The third Choir disc on our 'St John's Cambridge' label in collaboration with Signum Records​ features Francis Poulenc's Mass in G, Zoltán Kodály's Missa Brevis and Leoš Janáček's Otčenáš.

The three works were written in the context of the traumatic first half of the 20th Century; indeed Kodály's Mass was premiered in the city of Budapest whist it was under siege. Despite all three composers experiencing life-defining moments of loss, each has used their unique musical characters to produce music rich in a variety of colours and textures. To hear more about the music of the disc, watch the interview with our Director Andrew Nethsingha below.

The album is available to order now. It was released Friday, 15th September 2017.

Track list

  1. Mass in G (FP 89), Francis Poulenc (1899-1963)
  2. Missa Brevis, Zoltán Kodály (1882-1967)
  3. Otčenáš (JW IV/29), Leoš Janáček (1854-1928)

Reviews

Another worthwhile disc from this top collegiate choir

Fiona Maddocks, The Observer

Sung with characteristic “European” ripeness of tone and precision

Fiona Maddocks, The Observer

There is a transparency, delicacy and clarity to the textures on this disc
The results make for rewarding and thought-provoking listening

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Latest webcast

Recorded on
9 March 2024

 

A Meditation on the Passion of Christ is a service of music and readings reflecting on the Passion of Christ. This year the service features music by Byrd, Purcell, Weelkes and MacMillan, as well as the final piece of a triptych of works written for the choir by Joanna Marsh.

Latest news

Friday, July 12, marks the release of Magnificat 4, the final installment in Andrew Nethsingha's extraordinary legacy of recordings with The Choir of St John's College, Cambridge. This release not only includes new commissions and pieces written for the Choir of St John's College, but also signifies the end of a monumental chapter in its history.

The commitment, projection and natural energy of this choir have never failed to inspire me

Organists’ Review